The copyright protection arm of the U.S. music industry is suing Ford and GM because the companies sold cars with CD players that can rip music to the vehicle's hard drive.
The Alliance of Artists and Recording Companies (AARC), a non-profit group representing more then 300,000 artists, filed the suit against the car companies and their infotainment system tech suppliers, Denso and Clarion.
The lawsuit calls out a feature in Ford vehicles called Jukebox, which records songs from CDs to the infotainment system's hard drive. The Jukebox function has been available on Ford vehicles since at least the 2011 model year.
How playing an instrument benefits your brain - Anita Collins
This Op-Ed piece was published in today's Globe and Mail. Do you agree that artists and arts organizations have been forced to become more 'entrepreneurial?
Thomas Hodd teaches Canadian Literature at Université de Moncton.
Fifteen years ago I worked in the private sector as a proposal writer for an I.T. services firm. I sat in board meetings with some pretty high-level people. And much of the conversation involved words like “export,” “delivery of services,” “marketability,” and “strategic positioning.”
What’s disturbing is that I now sit on arts and culture boards and they use the same language.
Not so long ago “arts and culture” was all one needed to say when talking about the country’s story-tellers, actors, film makers, dancers, artists, poets, and musicians. Everyone knew what you meant. Then it became “the cultural sector,” now the buzzword is “cultural industries.”
What’s behind this shift? It started innocently enough. During the recession, governments cut back on funding for the arts as part of an overall debt reduction strategy. But the exception became the norm, forcing the arts community to look elsewhere for money. Soon corporate sponsorship became the mainstay for many arts organizations.
Before the live-music industry became a billion-dollar behemoth, being on the road was, for many bands, a wild west of sex, drugs and even some rock'n'roll. Hedonism was rife, and it wasn't just the musicians who pillaged. Their road crews were right there with them, benefiting from a macho atmosphere where the expectation was that after they had unloaded the gear they would match their employers in debauchery.
Some roadies became famous in their own right. Led Zeppelin's tour manager, for one: there's a Richard Cole Appreciation Society on Facebook, glorifying the man who was, according to the unofficial band biography Hammer of the Gods, "responsible for much of the mayhem" around the group. Then there was a metal roadie called Jef Hickey, who carved out such a reputation that half an episode of Vice.com's 2011 documentary series, On the Road, is devoted to him. Rock musicians speak of him in awed tones: "One time we were on a plane, and he went up to this stewardess and asked her if she had any drugs," claimed former Queens of the Stone Age bassist Nick Oliveri – and that was onlythe most printable of Hickey's antics.
Roadie annals are full of such stories, many of them involving unpleasant treatment of female fans. But that era has long passed, and with it the idea of roadies as folk legends. They have since osmosed into "techs" – low-key professionals who often have degrees and treat the job as a job. "Bad behaviour isn't acceptable any more, to be drunk and carrying on," says Chris McDonnell, the Charlatans' sound engineer. "A lot more is expected of you. People think it's crazy backstage, and it's girls and drugs, but it's not. It's people working and having a cup of tea."
Please note! FACTOR's Sponsorship program guidelines have been changed/clarified. New and genre-specific music festivals, broadcaster conferences, workshops, industry association events, and international showcases are examples of projects that may be eligible under this program. See more: https://factor.ca/ourprograms/
Symphony Nova Scotia is searching for the right person that combines an innate customer-centered approach with exceptional organizational skills and attention to detail for the position of Patron Relations Specialist.
Working in a team environment, and reporting to the Director of Development, the Patron Relations Specialist will contribute to the overall goals of the Symphony by providing vital support for the Development team in stewarding and growing donors, patrons, engaging the broader community, and achieving revenue targets.
LimeLight Communications Group Inc. is a fresh and innovative company bursting with Inspiring Speakers & Show Stopping Entertainment for conferences, corporate meetings and special events! Nothing is more important to us than making sure our clients events are a success.
We are looking for an individual who has a passion for technology, boundless energy, an entrepreneurial spirit and can bring new ideas to life with creativity and business impact. As we continue grow and expand our client base, we have an immediate opening for a Relationship Management Coordinator. We need a process driven individual who gets the importance of connecting with our customers, increasing productivity and generating sales.
Understanding customer lifecycle marketing, event logistics and sales automation are key skills. In this position you will help lead the transfer of our database from ACT to Infusionsoft and help us move into the next generation of sales and marketing. Our ideal candidate will help us reach out to our valued clients in some very cool and tech savvy ways through the use of innovative marketing campaigns, videos, and social media.
We are an entrepreneurial business with a strong team culture. Being a caring partner defines our relationship with each other and our relationship with our customers and suppliers. It is the cornerstone of our success that has enabled us to develop a truly national business.
Eligibility Criteria: This is a Work Smarts Funded Position
- Must be a Canadian citizen or permanent resident of Canada
- Between 19 and 30 years of age
- Graduate of a college or university program
- Unemployed or underemployed
- Not received EI benefits in the last two years
- Not previously participated in a Career Focus project funded under the Government of Canada's Youth Employment Strategy (YES
Mastering engineer Noah Mintz of The Lacquer Channel is a go-to mastering engineer for a huge variety of clients, inlcuding lots of major label acts, plus MNS members like Matt Mays, Wintersleep, The Town Heroes, Gloryhound, Dog Day, and Mardeen. In this blog post, he offers insight into the mysterious world of mastering, and lists off the tools of his trade.